Art Basel 2019

Photography by Mart Engelen

Pablo Picasso, The Rape of the Sabines, 1962 – Fondation Beyeler, Riehen / Basel

Pablo Picasso, The Rape of the Sabines, 1962 – Fondation Beyeler, Riehen / Basel

The 2019 edition of Art Basel closed on Sunday, June 16, 2019, and the organisers were able to report buoyant sales to private collections and institutions by galleries across all market sectors. The fair welcomed 93,000 visitors and collectors from over 80 countries who were able to view works ranging from early 20th century modern art to the most contemporary pieces, presented by 290 premier galleries. While there was still strong representation of European galleries, the show featured returning and new exhibitors from other parts of the world. A successful new feature this year was the introduction of a sliding-scale pricing model designed to beneft galleries with smaller stands. Although my favourite ‘Unlimited’ sector showcased fewer interesting installations, sculptures, wall paintings and photographic series than last year, I was pleasantly surprised to see many more works from both established and emerging artists offered at inviting prices.

Copyright 2019 Mart Engelen

Antonio Saura, Dora Maar, 1984, Oil on canvas 73x60cm, Galerie Gmurzynska NY, Zurich, Zug

Antonio Saura, Dora Maar, 1984, Oil on canvas 73x60cm, Galerie Gmurzynska NY, Zurich, Zug

Carsten Holler, Decimal Clock (White and Pink), 2018 Galleria Continua, San Gimignano, Italy

Carsten Holler, Decimal Clock (White and Pink), 2018 Galleria Continua, San Gimignano, Italy

Sislej Xhafa, avoid solitude, 2019 Performative installation, Galleria Continua, San Gimignano, Italy

Sislej Xhafa, avoid solitude, 2019 Performative installation, Galleria Continua, San Gimignano, Italy