Louise Bourgeois – The Heart Has Its Reasons

Text and Photography by Mart Engelen

Louise Bourgeois, The Couple, 2007-2009, Cast and polished aluminum, hanging piece

Louise Bourgeois, The Couple, 2007-2009, Cast and polished aluminum, hanging piece

The Heart Has Its Reasons

This winter, Hauser & Wirth brought the work of one of the most celebrated artists of the twentieth century, Louise Bourgeois, to the Swiss Alps. Available to experience at the exhibition space Tarmak 22 in Gstaad and online, the exhibition takes its title from Blaise Pascal’s well-known phrase, ‘the heart has its reasons of which reason knows nothing.’ Bourgeois studied mathematics and philosophy at the Sorbonne, Paris, and wrote her thesis on Pascal; but the death of her mother in 1932 eventually led her to abandon these studies and turn to art making. Yet she remained a Pascalian, so to speak, in her belief that there is something in our emotional and psychological experience of the Other that eludes, or transcends, rational explanation. For Bourgeois, this relationship to the Other is a complex arrangement, and a world in itself. ‘The Heart Has Its Reasons’ features a selection of important sculptures and drawings from the artist’s oeuvre spanning from 1949 until 2009 and explores themes central to her practice. The motifs that unify the presentation (the couple, the paired form, the house, the bed, landscape and human anatomy) are grounded in the dynamic interplay between the binary oppositions – mind and body, geometric and organic, male and female, conscious and unconscious – that animate Bourgeois’s work as a whole. Above all, this exhibition speaks about Bourgeois’s need for love, the ‘polar star’ she could not live without.

Louise Bourgeois, Lair, 1962 – Plaster

Louise Bourgeois, Lair, 1962 – Plaster

Louise Bourgeois, Brother & Sister 1949, Bronze and stainless steel

Louise Bourgeois, Brother & Sister 1949, Bronze and stainless steel

Louise Bourgeois, Eyes 2001

Louise Bourgeois, Eyes 2001